How to write a script without writing a word

Writer and producer David DeLuca spent five months rewriting his screenplay after a serious stroke.

DeLucas said he was struggling with emotions.

(CBC News)He had just spent five days writing the script, but it was an exhausting, soul-crushing process.

“It was just a really, really bad idea that I didn’t write a single word of the script.

It was just an awful idea,” DeLucae said.

The script DeLucaede had been working on was a story about a young man who falls into a life of drugs and crime.

The script was about two young boys in a rural town, where they meet a beautiful, beautiful woman.

It was a simple idea: a young, handsome, white girl with an exotic, exotic name and a dangerous, violent past.

It felt like a perfect premise for a film, but for a young writer like DeLucam, it meant he would have to rewrite the script several times.

“When you start writing, there’s this whole ‘what am I trying to say?’ thing, and it was a whole different story, because I didn, like, start writing the plot.

I started writing the story.

That’s where I lost the story,” he said.

DeLucae spent months writing the screenplay, but he said he spent far too much time rewriting.

“I think it’s a lot harder than it seems, because you have to be writing so many things at once, and you have this whole, ‘I need to think about it, I need to get this in shape,'” he said, adding he struggled to write for hours a day.

DeLois wrote a few more scenes, and then, after a while, it became clear that writing the whole story in one shot was impossible.

“So I was, like ‘well, how can I write it, and how can people get it out?'”

DeLuca said he wrote about a dozen lines a day, and he’d start his day with a quick scene or two.

He would then spend an hour or two writing the rest of the story, until he got through all the scenes.

But there were some crucial scenes that were cut, or were completely skipped over.

“Like, when they were shooting the house and there’s a dog barking, you know what I’m saying?

I didn.

And then I would just write like, ‘Okay, well, that’s what the dog barked at,’ and then I’d put that out, and I’d write the whole thing over again.

That was the problem,” he explained.

DeDeLucas’ story is one of several that show how difficult it can be to write without even writing a single sentence.

“If you are writing a script that is written by yourself, and there are people that you’re writing it for, and they’re not writing it, then you are, in the words of George Clooney, ‘a fool,'” DeLucay said.

“And you’re just a fool.”

But, he said his script was not a “fool” in the same way.

“We did a lot of research, and we got some feedback from other writers.

And I think they all felt the same thing: It’s just not right for us to do that.”

DeLucam said he and his production company, Lettuce Films, had been approached by people who had done similar projects and had been rejected.

He said they were not sure if the rejection would affect their chances of winning an Emmy.

“The worst part is that you can just get that rejection, and the next day, you’re like, I’ll just start a new project.

That doesn’t work, because that’s the way I’ve always been.”

DeLisam said his goal is to write more scripts that people will enjoy and enjoy working on.

“This is the best thing that has happened to me in my life,” he told CBC Radio’s The House.

“But the thing that’s really hard is that I don’t think that I’m going to have the money to continue doing this forever.”

Follow CBC Arts reporter Andrew Molloy at twitter.com/andrewmolloy or at facebook.com/​andre.molloys.